How we number an edition
Why every size has its own edition, why you get the next number, and what happens to a returned print.
Journal
Notes from the studio on paper, editions, frames and how prints travel.
Choosing a frame for a photograph
Black ash or natural oak, why we use a wide white mount, and when to leave a print unframed.
Three papers for one white
How we proofed Salt Flat, Noon on three papers, and why the smooth cotton won.
Packing a print to travel
Why we send prints flat, what goes in the box, and what to do when it arrives.